As his fame grew but his sales declined, Nagabuchi continued recording album after album, moving further to the side of the modern singer/songwriter than other contemporary artists, building compositional skills, and fostering a more gravelly voice (much like Nat King Cole, Nagabuchi viewed the sound of his voice as needing more maturity or gravity). Soon after, a sentimental singer/songwriter piece, "Kampai," became something of an anthem for a modernizing country. A short-lived contract with JVC failed to produce lasting results, but a move to EMI put Nagabuchi into the number one album position on the Oricon charts by his sophomore album. After winning a Yamaha-sponsored music contest in 1976, Nagabuchi worked his way into the recording industry with fairly astonishing speed. Starting as a folksinger of sorts in the late '70s, Tsuyoshi Nagabuchi developed into a greater force in Japanese music, bridging the gap between folk and rock, protest and sentiment.
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